To Die For

“To Die For, a Gus Van Sant film starring the one and only Nicole Kidman. I love this movie. I love Nicole. One of the best actresses ever. Period. Down. She is so good in this movie. I thought it was, like, hilarious, but also, like, she’s someone who, when she’s funny, she’s still giving an Oscar-winning Performance. And I just loved this character that she played, of, like, ambitious, maybe a little unstable woman. I love the outfits she wears. Fabulous film.”

“Nicole, my girl. To Die For is my favorite Nicole Kidman Performance. I’ve been trying to get my boyfriend and I to dress up as Nicole and Joaquin from this movie, so maybe this Halloween. Think it’s a good one, but I mean, it’s a perfect movie. I love it so much.”

“To Die For. I just think Nicole Kidman in this movie is so outstanding and I love it when she’ll do anything to get the job and she… I think the line is, it’s like, “Bringing the world into our homes and our homes into the world, it has always been my dream to be such a messenger. I look to you, gentlemen, to make that dream a reality.” And she says it with such conviction and… perfectly psychotic.”

“Oh, wow. To Die For. Gus Van Sant and Nicole Kidman. My favorite scene in this is when she’s videoing Joaquin and the other actors, and she’s saying, “Move your hips. Now let’s dance. Oh yeah. Come on, guys.” And she’s trying to get them to move. And Joaquin Phoenix’s character is just, like, doing this crazy, like, out-of-time jive. But yeah, Nicole’s incredible in this. I love this film. It’s disturbing.”

“One of the more recent adds to their collection is To Die For. All right, I mean, Gus Van Sant.”

“To Die For, Gus Van Sant. This movie is so funny. Nicole Kidman is so fucking funny in this movie. She's psychotic. She is like icy and just about to crack. She is absolutely terrifying. I mean, even just like look at Nicole Kidman's face on the cover of this. There is some kind of through line happening here I'm realizing between John Waters and Pedro Almodóvar and Gus Van Sant and Fassbinder. It's a real like Pantheon of queer cinema.”