André Bonzel

“So, The 400 Blows, a film I've seen over and over, but which I love. I wrote to Truffaut, actually, when I was, when I was young, and, and he, he sent me, he wrote back, he sent me a poster and, sent me some stuff back, and it was really, it was really nice. I love it.”

“Okay, Stranger Than Paradise. I love that. It's a long time I haven't seen it. I, I used to love it, and I remember it being really simple. I, I believe it was shot with a, it is, it was shot with a film stock that Wenders, gave him, I think, and it was, like, if I remember, long shot or something. And it, it was really, simple, but efficient, and makes you feel that, makes you feel that it's simple to make films, right? So I'd love to see it again.”

“Scarlet Empress, that's that amazing scenery and the set decoration, it's incredible. And Josef von Sternberg was in love with Marlene who was magnificent in the film. Look at this photo. This is great. And I love silent movies because I discovered cinema watching silent movies with the father of a friend.”

“That's the thing also, that films, you, you know, sometime they're in your memory and it evolves and you have to see it again. Like, I saw Brazil, which is amazing, Brazil, and, and, and each time I see it, you know, it's kind of different. And sometime, the first time I saw it in theater when it was released, and it was like, it was total magic. It was really total magic.”

“House I will get, because I saw the, the poster and, and it looks, looks really weird. And that's also the good thing, you know, so many films I discovered on Criterion that I didn't know nothing about. And it's good to, you know, when you, it's like in film festival, you see films you don't know nothing, you haven't read anything, you just discover the film, you don't even know what it's about, and it's like, it's great. So, so House I'll get for the, I saw someone with a t-shirt that's really scary, the big eyes.”