Anna Karina

“Pierrot le fou, of course. And that was a very happy film too in a way. Even though the film is a little bit sad in the end, but we had great fun doing it. Jean-Paul, Jean-Luc and me, we went to this island called Porquerolles and we said, "Well, we're going to get so bored, you know, on this island by ourselves." And, we never laughed as much as on this island.”

“Also Jacques Demy, Agnès Varda, of course, we did a little film, a little piece of film inside the Cléo from 5 to 7, Cléo de 5 à 7, we did a little scene, you know, like a silent movie inside the film. Very funny. He was a kind of Buster Keaton type and I was, you know, with all blonde hair, little, little dress like this, little sweet. And yes, we knew, I know him since a long, long time. She was doing the pictures for when we got married with Jean-Luc because she was a, she used to be a photographer before, before she became a, a director. So...”

“Hey, A Woman Is a Woman. Well, it's a film that, by Jean-Luc Godard with Jean-Paul Belmondo, Jean-Claude Brialy and me, and it was great fun to do it because I think that Jean-Luc didn't think about me to begin with because he saw a lot of actresses before, but then he saw me in a film called Tonight or Never made by Michel Deville, and he said, "Oh, I liked you so much playing comedy. So would you do A Woman Is a Woman?" So we did it.”

“That's Made in U. S. A. But yeah, that's me.”

“The Kid. That's one of my favorite films. Charlie Chaplin. Oh, it's so good. So lovely.”