Ethan Hawke and Jonathan Marc Sherman

“Yes, what's that, what are you getting? Just everything. Black Orpheus.”

“Yeah, The 400 Blows. I mean, well you know, though they've the whole Antoine Doinel collection here, you see this, which I have, so I'm not gonna be greedy, I'm not gonna be greedy. That's why I don't let you be greedy and then I'm gonna look reserved, right, and classy.”

“Well first of all I'm in shock that Criterion has Tootsie, okay, by the way, I just rewatched and it's a phenomenal film. It really is, it's so funny. Bill Murray is a genius, okay, but I, I love that you guys have Tootsie. I'm not gonna take it because I've already watched it and I'm not gonna waste mine. I am going to take it. You are taking it? Good. Well I highly recommend it. Perfectly.”

“Breaker Morant, okay, wow, okay, my son has got to see this. Bruce Beresford, I worked with him, remember that? I do indeed. This is phenomenal.”

“Greatest juvenile performance of all time, Matt Dillon, Rumble Fish. People like go nuts about DiCaprio and other greats, I don't know, salting them. Matt Dillon in Rumble Fish, wow. Like can you tell me the greatest lyric in and the song 'Don't Box Me In' from Rumble Fish? No. 'This blackboard lacks a piece of chalk, ba, don't box me in.' I love it.”

“Speaking of Fassbinder, why don't you take Berlin Alexanderplatz? Let's do it. Stance, I'm all in. That's, that's not to be. Yeah, I wish I was, I admit, I know he died young, but I still have this feeling of jealousy. Like he's so awesome that it leaves one feeling kind of small and uninteresting. I am really happy that you didn't die as young as Fassbinder, and I would like you to grow to a ripe old age so we can be like, Statler and Waldorf, the guys on the Muppets. We'll just be like, yeah, give me back, you'll be like, I can't believe you let me take Tootsie.”

“Right across from Ace in the Hole. My gosh, come on, Ace in the Hole is available.”

“In honor of Sam Shepard, oh, a little Paris, Texas. Okay, I just saw a new print of this at, in Santa Fe, and this movie is, you think it's great, you're like, 'Oh, I know Paris, Texas, it's great.' It's so much better than that.”

“All right, I think I'm gonna take Sullivan's Travels just because the cover is so awesome.”

“First and only film, like you know there's people have favorite first films or last films or whatever. That's Marlon Brando directed one movie and it's staggeringly brilliant. I mean, you just can't even believe it. I think it's a little cheat because he fired Kubrick right before it started, so it was prepped by none other than Stanley. Oh, that's right. Would be like saying I'm gonna work with P. T. Anderson and fire him the first day.”

“Also, I was just talking about this film with a friend of mine, Five Easy Pieces, so I'm gonna take that.”

“And, have you ever seen House? I haven't. Okay, so you need to see this movie. This is one of the greatest, it will never go out of my top five freakiest movies. I have often described it, this movie is like doing acid without having to do acid, so you're okay when it's over. It's amazing. Let me just say, spoiler alert, somebody turns from a dude into a pile of bananas wearing a hat in it, and it makes logical sense at that point in the movie. You're like, okay, yeah, that's what should happen to that guy, he should turn into a pile of bananas wearing a hat.”

“I'm going Jacques Demy and then I'm cutting myself off, that's it. All right, all right, nice. You're very generous, you're very Jacques Demy.”

“Oh gee, that's... I don't remember that one. Oh, you probably have some copies of that, don't you? Come on, yeah, I'm thinking of buying some. Maybe you might want to take that. Would you, would you like to say something about the front of it and the back of it, or both of those sides? Do you have a favorite side of it? You know what, staggering genius works whatever way you show it. Oh, so even like, even like here? Thank you. No, it's a... That's my favorite. No, I'm taking that.”