Garrett Bradley

“Battle of Algiers, dude. Oh it's too greedy. I want to take two, but I'm just going to take one because someone else, someone else wanted to see it. Also, favorite movie of all time next to Belly.”

“Oh, Oliver Twist, it's right here. Is it the David Lean one? I think I probably saw when I was like seven, six or seven, and like that image of the mom like climbing up the mountain and like there's wind and rain and it's really graphic, and she's she's about to give birth and she's like she goes up to this like iron gates, and I just remember like really, really connecting with that imagery like and it just it's like ingrained in my head. I feel like every moment of that opening of that film is like forever ingrained in my head.”

“A Man Escaped. Another favorite film, favorite film. Love this. It's such a great example of like what you can do in like one space, you know what I mean? It's like the ultimate, you can play like, you can just play and play and play in like one, one room, one space. Really simple, really simple things that just make up the most incredible film. Man, this is, so glad I saw this.”

“Dressed to Kill. This is wild. The split diopter shots in this movie are so out of control. There's like some like taxi, here you go, there's like a scene I think where he's like in the taxi, in the back of the taxi and it's, I don't know, it's deep. The whole movie's pretty deep.”

“Oh, I watched this film over and over and over again when I was in college. And, there's this one scene where one of the guys is like falls asleep or like maybe he's dying, and he Dreams I think, and there is this woman in this snowstorm and it's one of the most beautiful things I've ever seen. It's gorgeous.”

“Betty Blue. Look at how pretty this is too. It's such a beautiful cover. Sweet. "When the easy-going would-be novelist Zorg meets the tempestuous Betty in a sun-baked French beach town." Great, sounds awesome.”

“Also Moonstruck, like who doesn't want to watch Cher and Nicolas Cage together?”

“Love & Basketball. Shout out to Gina.”

“The Road Trilogy. Yeah.”

“Rest in power, Mr. Van Peebles.”

“Here's another one for y'all, Marlon Riggs.”

“I'm just trying to read all this. Sixties Swordplay Classics. Look at that box, look at that dude. You know, it's good to get things you don't know, you know what I mean? Not just the things that you love.”