Jacqueline Novak and John Early

“Oh, you know, it just it just came up. Yeah, definitely get it. Honestly, I haven't seen it in a very long time, but it's the girls, it's the girls, right, that go... Now, is it based on a real thing that like some kind of disturbed... I feel like there's a story that it is based on like some girls disappearing. I think that like in this time period, yeah, you know, you really kind of only associate kidnapping with like Hard Copy in the '90s. Yeah, you know what I mean? Like kidnapping has such a kind of salacious like... Oh, well, '80s was huge for kids. The Golden Age.”

“Have you seen 3 Women? Oh, no. That's okay, yeah, totally okay, ignore it. No, I know, I know. Looks like Nana took me away, okay, and you know, it's it's paid off. To me, it's like Shelley Duvall as Millie, it's like it's as if you're watching like Valerie Cherish, but you're watching like The Comeback, but like on shrooms, and like... And for that reason, it's top five. It's made it back, it's back in top five.”

“I have no idea what this is. Siblings from London purchase a surprisingly affordable, that's how it always goes, a deal on a house, lonely cliff-top house in Cornwall. Yes. Oh, it's all ghosts! Yes, ghost film on here, I want, yes. Okay, so keep an eye open, you know we do with this filter.”

“I feel like I want Night of the Living Dead. Criterion? Oh my god, of course. I mean, I've never seen that.”

“Wow, Fat Girl. Jacqueline, you have to see. Yeah, I'd never seen any saucy, I'm no freak. Okay, Fat Girl is so special.”

“I'm taking Twin Peaks: Fire Walk with Me. Oh my god, that's on Criterion? We've never watched any Twin Peaks together? No, it's comedically pretty big for me.”

“Oh my god, this is very important to me, Magnificent Obsession. Jane Wyman's blind acting now is hugely influential to me. Isn't it? Is it because it's good? No. Oh, comedically influential, yeah, and I love Jane Wyman, an actress. It's not, and what is good, what is bad with acting, you know, as we've talked about concepts, you know, it's like, but it's it's it's not that it's good or bad actually, it's that it's very noble. It's like the noble blind, you know, she's like she's like, you know, they're like, "Can I help you up the stairs?" She's like, "I'm fine."”

“I'm getting Island of Lost Souls. A twisted treasure from Hollywood's pre-Code days. So, ooh, pre-Code, remember pre-Code days?”

“I've never seen White Material. Darling, you have to see this. Wait, listen to this: "In White Material, the great contemporary French filmmaker Claire Denis, known for her restless, intimate dramas, introduced an unforgettably crazed character played by a ferocious Isabelle Huppert. Maria is an entitled white woman living in Africa, desperately unwilling to give up her family's crumbling coffee plantation now with a civil war closing in on her." No! Oh my god, I'll see you there. Okay.”

“Gotta take some John Waters, so well, guys, what about Female Trouble for now? Female Trouble, top five, really truly top five. I'm not being silly. Have you seen? No. It's so important. It's like it's like Jerri Blank in the seventies, you know, it's like it's it's so it's so special and moves so well. It's so important to me. Glamour has never been more grotesque, and Edith Massey is the funniest person ever to have ever lived, and you would you would love her so much. And like, and I do think it's like one of the most subversive things in Female Trouble is she, her character wants her nephew, I think it's her nephew, to be gay. She's like disappointed that... Yes, and she's like she's like, "One of those nelly boys." She's like she's like, "The world of a heterosexual is a sick and boring life." Yeah, oh, it's so beautiful. I want you to take it.”

“Okay, I've never seen Tie Me Up! Tie Me Down! I'm thrilled to. Me either.”