Kim Cattrall

“Jules and Jim, my first three-way. I haven't even looked back here. I can't take all what this is like. How do you choose?”

“This I've recommended Preston Sturges Sullivan's Travels just I really hope you people get to experience Joel McCrea and Veronica Lake in this movie it's just so joyous and it's so speaks of you know the human experience of wanting to be important and be counted forgetting the fact that you might also want to entertain...”

“Heaven Can Wait. Anything by Lubitsch, just brilliant. But it was kind of a time for me to be with my mom and for her movies. She was an usherette in a theater in Liverpool. I always thought that she wore this little uniform and she had her hair, she had a little beret and she would sell ice creams at intermission. She was always going up to the balcony and they couldn't find her and that was her escape. Books and movies were her escape so they kind of became my escape too.”

“Limelight, just because it's Charlie Chaplin.”

“Oh, childhood favorite, A Taste of Honey. Great film. I fell in love with Rita Tushingham... Tony Richardson.”

“Wanda. I really have to thank Criterion for this because I didn't know about this film. To have it, to bring it back was such a treat. I didn't know that Barbara Loden—I know her as an actress but I didn't know that she was a director and this was such a labor of love. She came out with a masterpiece. It's about a woman who was invisible and she made her more than visible, viable. You really care about her and feel for this woman who was a pawn to men's schemes. Barbara Loden gives her voice.”

“Tony Richardson.”

“I was kind of channeling Nashville on this last project that I did. It was just Ronee Blakley in that last scene and Geraldine Chaplin. Great, great American film. The narrative was so different. I remember seeing it in Calgary in a little tiny town and it just blew me away, how political it was. I know there was a lot of criticism from the country and western people when it came out because they said that's not what it's like. I think he really put his finger on something.”

“Repulsion, okay.”

“Cat People.”

“Fanny and Alexander. This was an extraordinary experience, just the evolution of a family and the way change and loss of a parent affects everybody.”