“Well, this one, 8½, I mean, I think it became the film that every filmmaker, or wannabe filmmaker, said, "That shows you that you can make a film without knowing what it's about, you know, and try and find out while you make it." That's what he was trying to do. And then in the middle of the film, somebody says about the guy, Mastroianni guy, "Again, he has nothing to say." It was shocking. I said, "Wait a minute, I'm believing every second of this. What are you talking about?"”