The Wolfpack

“Let's talk about Following. Okay, he made this film over a $7,000 budget. He shot it on weekends. It took him I think about three years in the making because they would just shoot it on the weekends, whenever anyone had time to shoot. It was no plan, it was he just had a script laid out, a schedule all planned out, but he would his actors, his actors are one of his best friends that he I think met it through work or something, some job he had, and his girlfriend or wife at the same time, Emma Thomas, produced it with him. He edited it, shot it, directed it, and wrote it at the same time.”

“Okay well Rushmore. Where's Rushmore? Okay, I'm getting everything on Blu-ray.”

“The only Hamlet there is, the great Sir Laurence Olivier. That sounds good, we'll have that.”

“Else do we have? M. We don't have M, do we? We don't, let's get this.”

“Where's Rules of the Game?”

“Ooh, Rosemary's Baby with everything.”

“The Killing and they include Killer's Kiss.”

“Close-Up, we don't have. Do you have Close-Up with you at all? No, we'll take Close-Up, yeah.”

“The Human Condition, all three. All three movies. So, yes.”

“Oh, remember when we first saw this? Oh, wasn't that, is that our first Criterion film? It's yeah, it's the first Criterion film. I think that was our first Criterion film. No, first, no, first Criterion film we bought. First one I ever saw was Jeanne Dielman.”