Zoë Kravitz and Channing Tatum

“Here, A Woman Under the Influence. I love Cassavetes. We love Cassavetes. We love Cassavetes. And then also, I mean Gena Rowlands's performance in this is just one of the best things I've ever seen. Also when we watched it recently, I was didn't like, the ending is so crazy. Like it's kind of wild. Like it gets funny. Yeah, and music that comes on, and then I start thinking about my family and I'm like thinking about my Mom and Dad. Yeah, there's like, I didn't, I don't think I ever realized how like incredible the ending of that movie is, where it's just like, and that's what this family is, like da.”

“Just saw Barbara last night. This is Harlan County. Super punk rock at the time and she directed my very first movie. Oh, Havoc. Barbara Kopple. She's, Havoc, she's a, yeah, Havoc, Havoc. Shout out to, shout out.”

“Okay, Paris is Burning. The best documentary of all time. Actually, all time. Oh my god. Oh, look at this cover. This is, no, but this is like, the cinematography in this is, I, I don't think it'll be matched today. It's, it's one of those things, it's a place in time that you will never be captured again. It's incredible and just like beautiful and heartbreaking and honest. And me and my father like we quote this movie a lot. I watched you guys over Christmas and I was like, you guys, this is like your Godfather. Touch this skin, touch this skin.”

“Oh, this is one I love, Lord of the Flies. I've never seen that. I'm, I'm excited to see that. Read the book. Oh, I actually, when I saw this come out on the Criterion Collection, I fell in love with the artist so much. I think the artist's name is Kent Williams. Look at that, look how beautiful it is. That's rad. It's so unbelievably beautiful.”

“The Vanishing. One of the scariest movies ever. I know, it's so, so scary, and like goes to the, like you do not think this film's going to go where you think it's going to go. And I'm not going to spoil it for people who haven't seen it, but yeah, couple goes. Every time you go into a gas station and get anything, I, I'm just like, I'm just, I just stare at the door like I try to see. Also I feel like you would be the other, like you would do what the guy is. I don't like how short you are 'cause you, I can't see you when you go behind the shelves. I don't like how short I am. And I don't, 'cause I'm just like, is she going to come back out from behind the shelves? From behind, I'm like, I'm back here.”

“I love, I guess I love seeing, I guess everybody loves seeing movies that they have no idea what they're going into. I was new in like LA and I think I just went to Vidiots and I was walking around and I was in the Kurosawa section and he's like, "You like Kurosawa?" And I was like, "I don't know who that is." And he was like, "Well, here is Rashomon and Seven Samurai, have a good weekend." And I had an amazing weekend. I had to watch Rashomon almost three times I think cuz I, my brain was oozing out of my ears.”

“The Killing. Kubrick, love Kubrick, he's the all-time everything. I also love heist movies and it's also one of his earlier movies so there's something just really fresh and he's figuring it out and his, it's just the blocking and everything. These masks, so creepy and amazing.”

“Where's Fisher King? I don't know if I have a favorite that is better than the waltz that happens in Grand Central Station in this movie. Terry just stomped an absolute mud hole in that scene. This top, probably top Grand Central Station scene ever.”

“Okay, I just got the, the way I gasped because I had seen this originally on the thing, but The Rose. Not biopic, but Janis Joplin-esque story. Incredible singer becomes a superstar, fame you know destroys her, yada, but just such a soulful and real performance. This is one of my favorite movies, and Bette Midler's performance.”

“Okay, Moonstruck. I love Moonstruck. See this movie. Long live Cher, literally at, at like I don't know, she's at her, she, I don't know if she ever wasn't at her iconic peak. She's always at her peak, yeah, she's always peaking. Maintains her peak. She's still peaking. She peak, she just had a, a constant state of peak.”

“Oh, okay, well, Midnight Cowboy. Love this movie so much. Also one of my favorite scenes in this is when he goes upstairs with this woman and the TV's on and they fall in bed and it cuts to the TV and it's cutting and cutting and obviously like they're, they're, they're doing it, you know, and like the more and the faster, it just goes faster and faster and faster and the frame, the frame gets closer and closer and closer to the, to like what's on the television and they change the channels faster and faster and I just thought that was such a genius way to tell that story.”

“Okay, Thelma & Louise. This is a perfect movie. I cry every single time. I love both these actors so, so much. And the third, old Braddy Pitty. Oh well, yeah, duh.”

“I'm going to go with this one 'cause I, I picked it up early, The Koker Trilogy. I'm going to do that as a parting gift of creative beauty.”